Blog

20. Nov 2023

Gender @ Work Newsletter, Tanzania 2023
31. May 2023

SPOT festival 2023 – Recognition of the live crew, Part II
25. May 2023

Survey Report on women’s wellbeing in the live music industry WILM May 2019
18. Feb 2023

The show must go on – but how far should we go
6. Feb 2023

Recognition of the live crew
21. Sep 2022

Did you know… In our industry it is more acceptable to be a drunk than a pregnant woman
17. Jun 2022

WILM Survey “Why do women go or not go to tech trade shows/workshops”
17. Jun 2022

WILM panel “Event industry: Where are the Women in sales and R&D”
28. Mar 2022

WILM meeting Music In Africa & Carine Tredgold
14. Mar 2022

WILM Awards 2020
7. Mar 2022

WILM Awards 2021
16. Jan 2021

The Path of a Female Sound Engineer
21. Dec 2020

All About Automation! with Mimi Stal
28. Nov 2020

Organizing a festival during a pandemic – D Festival 2020
1. Jul 2020

SHOW IT, DON’T TELL IT!
24. Jun 2020

Motherhood Combined with a Career in Live Music
28. Apr 2020

WILM Awards 2019
22. Sep 2019

WILM’s first Balkan Meet Up!
12. Aug 2019

“Okay, maybe I can’t do this… But I know WE can”
13. May 2019

SPOT Festival takes on it’s FIRST ever all-female team!
16. Apr 2019

Talking Diversity at this year’s Prolight + Sound in Frankfurt
18. Mar 2019

WILM Member Sofie Hunter talks about her first few weeks at Britannia Row Productions Training
14. Feb 2019

WILM Member Fern talks about her time with Britannia Row Productions Training
31. Jan 2019

Girls In Science Day at Katie Melua’s soundcheck
31. Jan 2019

WILM Awards 2018